衣领上的唇印

衣领上的唇印 (1993)

简介

衣领上的唇印电视剧高清视频在线观看,由Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis主演,剧情简介:The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign...
  1. 未知导演
  2. 1993年份
  3. 英语语言
  4. Giles Thomas,Ewan McGregor,Louise Germaine,Peter Jeffrey,Clive Francis主演

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主要演员

  • G Giles Thomas 演员
  • E Ewan McGregor 演员
  • L Louise Germaine 演员
  • P Peter Jeffrey 演员
  • C Clive Francis 演员

内容大要

  The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.

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